Atlantic Rock Art is a rock art tradition which includes emblematic motifs such as cup-marks, cup-and-rings and lines, known to several countries on the Atlantic seaboard. Design and Connectivity springs from an inter-regional study of this tradition, based on an original and innovative methodology applied to an empirical dataset. The project builds on Bradley’s work, investigating differences and similarities in Atlantic Art over study areas in five countries: Scotland, England, Ireland, Spain and Portugal. It applies a multi-scalar methodology developed under the principles of Relational Ontology and Assemblage Theory, providing a dynamic perspective on the empirical data. A thorough categorical scheme was scrutinised using a Presence/Absence Matrix, spatial analysis (fieldwork and GIS) and the development of Social Network Analysis (SNA) to relate and explore the relationships and connectivity between study areas. Concepts of developmental psychology support the idea of intentional teaching and cultural transmission.
Joana Valdez-Tullett is a specialist in rock art and prehistory with experience in the archaeology of Iberia, Britain and Ireland. She has studied Atlantic Art extensively for the last fifteen years. In her research, Joana is interested in exploring the potential of digital technologies, as well as new theoretical developments.
‘Original and illuminating. The book sheds exciting new light on a complex and controversial topic and takes Atlantic Rock Art from the periphery into the centre of contemporary research.’ Richard Bradley, Emeritus Professor, University of Reading.
‘It is evident that it is a very important work, and one that goes deeply into the material of a large region defined by its shared imagery - a seminal work, following up on a research tradition introduced by Richard Bradley. This is carried out by way of a sound and innovative approach and methodology.’ Prof. Ingrid Fuglestvedt, University of Oslo