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The LMIII Cemetery at Tourloti, Siteia

The ‘Xanthoudidis Master’ and the Octopus Style in East Crete

£21.00
S1917
9781407304007
Constantinos Paschalidis, with a contribution by P.J.P. McGeorge
2009
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Description

Halfway along the mountainous route between the Ierapetra isthmus and Siteia, on the northern limits of the western mountain range of the Siteia province (eastern Crete), is the small village of Tourloti. Approximately 2.5 kilometres north of the village, on the hillside that drops down to the beach at Mochlos, on the site of Plakalona, is a LMIII chamber tomb cemetery. Richard B. Seager was the first to identify and excavate the site in 1900. He collected the LMIII stirrup-jar now in the museum of the University of Pennsylvania. In 1906, Stefanos Xanthoudidis reported that ‘Mycenaean’ copper alloy weapons and tools had been found at Metochia, Tourloti. The first brief archaeological report for investigations in the area was published in 1938 by Manolis Mavroreidis of Siteia, temporary curator of antiquities and schoolteacher, who excavated a rich grave at Plakalona, unpublished to this day. In 1959, Nikolaos Platon identified a further group of rock-hewn chamber tombs, which he never excavated, despite his original intentions. The chance discovery of seven vases from one or more tombs at the end of the 1950s or the beginning of the 1960s once again disturbed the peaceful cemetery. The vases were presented to the Archaeological Service of Siteia, as wellas a LMIIIC tub larnax from the same cemetery. In June 1984, after the Town of Tourloti notified the Archaeological Service of antiquities found during construction work and a (looted) chamber tomb was explored at Plakalona, as well as a second, richly appointed chamber tomb. A third looted LMIII chamber tomb was identified in 1990 and recently (2006) another wealthy chamber tomb. This work presents the finds of the chamber tombs excavated and the vases handed over previously. The latter group includes Octopus Close Style stirrup-jar presented in the volume’s second chapter together with a discussion of its attribution to a particular workshop and a distinct vase painter conventionally dubbed the ‘Xanthoudidis Master’. In the absence of petrographic or other analysis, the hypothesis on the vase’s provenance is based on morphological and stylistic criteria and on the fabric’s macroscopic examination. A study of the human bones from the Papadakis excavation by Dr P.J. P. McGeorge completes this volume.